All this was of no great help to Fleda, in so far as Fleda tried to rise to her mission of finding a way out. When at the end of a fortnight Owen came down once more, it was ostensibly to tackle a farmer whose proceedings had been irregular; the girl was sure, however, that he had really come, on the instance of Mona, to see what his mother was doing. He wished to satisfy himself that she was preparing her departure, and he wished to perform a duty, distinct but not less imperative, in regard to the question of the perquisites with which she would retreat. The tension between them was now such that he had to perpetrate these offenses without meeting his adversary. Mrs. Gereth was as willing as himself that he should address to Fleda Vetch whatever cruel remarks he might have to make: she only pitied her poor young friend for repeated encounters with a person as to whom she perfectly understood the girl's repulsion. Fleda thought it nice of Owen not to have expected her to write to him; he wouldn't have wished any more than herself that she should have the air of spying on his mother in his interest. What made it comfortable to deal with him in this more familiar way was the sense that she understood so perfectly how poor Mrs. Gereth suffered, and that she measured so adequately the sacrifice the other side did take rather monstrously for granted. She understood equally how Owen himself suffered, now that Mona had already begun to make him do things he didn't like. Vividly Fleda apprehended how she would have first made him like anything she would have made him do; anything even as disagreeable as this appearing there to state, virtually on Mona's behalf, that of course there must be a definite limit to the number of articles appropriated. She took a longish stroll with him in order to talk the matter over; to say if she didn't think a dozen pieces, chosen absolutely at will, would be a handsome allowance; and above all to consider the very delicate question of whether the advantage enjoyed by Mrs. Gereth mightn't be left to her honor. To leave it so was what Owen wished; but there was plainly a young lady at Waterbath to whom, on his side, he already had to render an account. He was as touching in his offhand annoyance as his mother was tragic in her intensity; for if he couldn't help having a sense of propriety about the whole matter, so he could as little help hating it. It was for his hating it, Fleda reasoned, that she liked him so, and her insistence to his mother on the hatred perilously resembled, on one or two occasions, a revelation of the liking. There were moments when, in conscience, that revelation pressed her; inasmuch as it was just on the ground of her not liking him that Mrs. Gereth trusted her so much. Mrs. Gereth herself didn't in these days like him at all, and she was of course and always on Mrs. Gereth's side. He ended really, while the preparations for his marriage went on, by quite a little custom of coming and going; but on no one of these occasions would his mother receive him. He talked only with Fleda and strolled with Fleda; and when he asked her, in regard to the great matter, if Mrs. Gereth were really doing nothing, the girl usually replied: "She pretends not to be, if I may say so; but I think she's really thinking over what she'll take." When her friend asked her what Owen was doing, she could have but one answer: "He's waiting, dear lady, to see what you do!" Mrs. Gereth shook her head with slow austerity. "You don't believe a word you're saying. I've frightened you, as you've frightened me: you're whistling in the dark to keep up our courage. I do simplify, doubtless, if to simplify is to fail to comprehend the insanity of a passion that bewilders a young blockhead with bugaboo barriers, with hideous and monstrous sacrifices. I can only repeat that you're beyond me. Your perversity's a thing to howl over. However," the poor woman continued with a break in her voice, a long hesitation and then the dry triumph of her will, "I'll never mention it to you again! Owen I can just make out; for Owen is a blockhead. Owen's a blockhead," she repeated with a quiet, tragic finality, looking straight into Fleda's eyes. "I don't know why you dress up so the fact that he's disgustingly weak."!

Fleda was embarrassed; she had not made up her mind definitely to lie. "I didn't think you'd care." That small untruth she would risk. "No, I'm not afraid now."

These arts, when Mrs. Gereth's spirits were high, were handled with a brave and cynical humor with which Fleda's fancy could keep no step: they left our young lady wondering what on earth her companion wanted her to do. "I want you to cut in!"—that was Mrs. Gereth's familiar and comprehensive phrase for the course she prescribed. She challenged again and again Fleda's picture, as she called it (though the sketch was too slight to deserve the name), of the indifference to which a prior attachment had committed the proprietor of Poynton. "Do you mean to say that, Mona or no Mona, he could see you that way, day after day, and not have the ordinary feelings of a man?" This was the sort of interrogation to which Fleda was fitfully and irrelevantly treated. She had grown almost used to the refrain. "Do you mean to say that when, the other day, one had quite made you over to him, the great gawk, and he was, on this very spot, utterly alone with you—?" The poor girl at this point never left any doubt of what she meant to say, but Mrs. Gereth could be trusted to break out in another place and at another time. At last Fleda wrote to her father that he must take her in for a while; and when, to her companion's delight, she returned to London, that lady went with her to the station and wafted her on her way. "The Morning Post" had been delivered as they left the house, and Mrs. Gereth had brought it with her for the traveler, who never spent a penny on a newspaper. On the platform, however, when this young person was ticketed, labeled, and seated, she opened it at the window of the carriage, exclaiming as usual, after looking into it a moment: "Nothing—nothing—nothing: don't tell me!" Every day that there was nothing was a nail in the coffin of the marriage. An instant later the train was off, but, moving quickly beside it, while Fleda leaned inscrutably forth, Mrs. Gereth grasped her friend's hand and looked up with wonderful eyes. "Only let yourself go, darling—only let yourself go!" Mrs. Gereth continued to stare out of the window, and her stillness denoted some success in controlling herself. "If he's not lost, why are you unhappy?" It was true that when after their return from Ricks they tried to lighten the ship, the great embarrassment was still immutably there, the odiousness of sacrificing the exquisite things one wouldn't take to the exquisite things one would. This immediately made the things one wouldn't take the very things one ought to, and, as Mrs. Gereth said, condemned one, in the whole business, to an eternal vicious circle. In such a circle, for days, she had been tormentedly moving, prowling up and down, comparing incomparables. It was for that one had to cling to them and their faces of supplication. Fleda herself could judge of these faces, so conscious of their race and their danger, and she had little enough to say when her companion asked her if the whole place, perversely fair on October afternoons, looked like a place to give up. It looked, to begin with, through some effect of season and light, larger than ever, immense, and it was filled with the hush of sorrow, which in turn was all charged with memories. Everything was in the air—every history of every find, every circumstance of every struggle. Mrs. Gereth had drawn back every curtain and removed every cover; she prolonged the vistas, opened wide the whole house, gave it an appearance of awaiting a royal visit. The shimmer of wrought substances spent itself in the brightness; the old golds and brasses, old ivories and bronzes, the fresh old tapestries and deep old damasks threw out a radiance in which the poor woman saw in solution all her old loves and patiences, all her old tricks and triumphs.